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The song was written by Bob Thiele and George David Weiss. Thiele was a record producer, and earlier as head of Impulse Records, he had issued recordings for jazz artists such as John Coltrane, Charles Mingus, Dizzy Gillespie, and others. “What A Wonderful World” was a song that came a few years after the success of “Hello, Dolly!” However this song had a somewhat difficult road – both in its recording and finding its audience.
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Louis Armstrong and Barbra Streisand in a scene from the film version of “Hello, Dolly!” Click for DVD. “Hello, Dolly!” also won the Song of the Year Grammy for 1965, and Armstrong received a Grammy for Best Vocal Performance. He would later perform the song in the popular 1969 film, Hello, Dolly!, which starred Barbra Streisand. 1 hits in a row over 14 consecutive weeks. It also spent nine weeks atop the adult contemporary chart. “Hello Dolly” became a giant hit for Armstrong, followed by a gold-selling album of the same name.
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He was 63 when “Hello, Dolly!” topped the charts the week of May 9, 1964.Īrmstrong’s “Hello, Dolly,” in fact, ended The Beatles’ streak of three No. In December 1963, at the behest of his manager, Armstrong made a demo recording of “Hello, Dolly!” to promote the stage show which opened in New York in January 1964. Kapp Records released Armstrong’s demo as a commercial single and it became a surprise pop hit reaching No. Old line jazz performers had become somewhat less visible. Yet Armstrong, in the midst of the rock `n roll tsunami, was having something of a renaissance. Click for CD But by the mid-1960s, rock ’n roll and groups like the Beatles were all the rage. Louis Armstrong’s “Hello, Dolly!” became No. Armstrong recorded three albums with Fitzgerald. Among Armstrong’s hit recordings are: “Stardust”, “When The Saints Go Marching In,” “Dream a Little Dream of Me,” “Ain’t Misbehavin’,” “You Rascal You,” and “Stompin’ at the Savoy.” During his long career he played and sang with some of the most important instrumentalists and vocalists of the time among them: Bing Crosby, Duke Ellington, Billie Holiday, Fletcher Henderson, Earl Hines, Jimmie Rodgers, Bessie Smith, and perhaps most famously, Ella Fitzgerald. In 1928, “West End Blues” also captured a feel for the times - laid back a bit, pre-Great Depression. The song was later inducted into the Grammy Hall of fame in 1974.Īrmstrong was considered a jazz innovator who pushed the boundaries of the genre and his craft, later passing the baton to Lester Young, Charlie Parker and others. “Mozart, Bartok, or Stravinsky would have been grateful for the inspiration to compose the nine-bar cadenza improvised to open ‘West End Blues.’ In every element of conception and execution, the recording was a monumental achievement. It gave notice that jazz was capable of artistry at the highest level of human expression.” In liner notes for the Ken Burns CD, The Definitive Louis Armstrong, jazz historian and music critic Doug Ramsey says of “West End Blues”: But it was Armstrong’s version of the song, made a few weeks after Oliver’s, that made it a landmark jazz recording. “West End Blues” was written by King Oliver as a blues song, named for the West End of New Orleans, Louisiana, a popular picnic and entertainment area on Lake Pontchartrain. A sample from that earlier era can be heard below in the second selection, a famous 1928 hit entitled “West End Blues” which also includes a bit of Armstrong scat vocals.
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“West End Blues” by Louis Armstrong & His Hot Five, Aug 1928 on OKeh label.
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However, this song, sampled above, had something of an uncertain beginning, as an ABC Records executive was opposed to its release. More on that later. First, some background and context.īy the mid-1960s Louis Armstrong was already a music legend, having been one of the paramount names of American jazz since the 1920s. Known for his trumpet playing, scat singing, and irrepressible smile, Armstrong by the 1960s had compiled a long list of hits, and also some movie credits. In his early years, Armstrong was best known for his virtuosity with the cornet and trumpet, with notable jazz renditions from his early years on his Hot Five and Hot Seven recordings. In 1967, at the age of 66, jazz master Louis Armstrong recorded a now-famous song titled, “What A Wonderful World.” Armstrong’s very poignant, gravelly-voiced version of this song – brimming with his ebullient character and optimism – is regarded as a classic, and is dearly loved by listeners and music critics alike. Louis Armstrong photo from cover of “Louis Armstrong Gold” CD, issued September 2006.